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In 1910, Boris Kustodiev was invited to sculpt a portrait of Tsar Nicholas II for the centenary of the Imperial Alexander Lyceum. The lyceum had been founded in August 1810 by Tsar Alexander I for th...
The garish effects and spicy tones of this painting are encountered in many of Nikolai Kalmakov ’s works on themes from Greek mythology. Artemis and the Sleeping Endymion was painted in 1917 and comb...
This exotic and suggestive painting, with its fantastic ornamental design, is a typical example of the oeuvre of Nikolai Kalmakov in the late 1900s and early 1910s. Oriental mythology was a common th...
Nicholas Roerich travelled across Italy from April to September 1906. He was particularly captivated by the unspoiled beauty of the historical architectural ensembles in the Tuscan hill-towns of Sien...
Boris Kustodiev toured Italy in the company of Dmitry Stelletsky from 29 May to early August 1907. They visited Venice, Florence and Rome, admiring the works of the Venetian school and such Renaissan...
Boris Kustodiev painted Lilac at the family estate of Pavlovskoe in Kostroma Province. The picture depicts the artist’s wife Yulia Yevstafievna Proshinskaya (1880–1942) with his daughter Irina Boriso...
This charcoal and pastel portrait was Valentin Serov ’s second attempt to create a portrait of Princess Olga Orlova. In 1911, he painted a large oil portrait on canvas, depicting the stylish aristocr...
Konstantin Somov was known by contemporaries as “the singer of rainbows and kisses”. The artist painted retrospective genre scenes, which transformed and theatricalised reality – one of the main prin...
Valentin Serov followed the traditions of Russian ceremonial portraiture, as exemplified by Dmitry Levitsky in the eighteenth century and Karl Brullov in the nineteenth century. But the artist’s psyc...
Mikhail Vrubel painted this work in 1904, when he was a patient at the Vladimir Serbsky Psychiatric Clinic in Moscow. The bright tones conjure up associations with the Byzantine mosaics in Venice and...