The Premier Site for Russian Culture
Banquet of Kings was painted one year before the outbreak of the First World War and many contemporaries regarded it as a form of prophecy or a frightening vision of the Apocalypse. Submerged in twilight, the depicted scene is lit up solely by splashes of blood-red reflections, while the images are deliberately grotesque. This painting is often associated with the biblical story of the Feast of H...
This canvas belongs to a cycle of twenty-two works painted before the revolution by Pavel Filonov entitled Entry into World Prosperity . The artist created a series of anti-urbanist pictures reflecti...
Pavel Filonov had a pantheistic relationship with the world. He believed that the animal and human worlds were once indivisible, when man and beast lived in harmonic unity. The artist regarded human ...
Pavel Filonov ’s reflections on the malevolent influence of the city on the life of human beings were always present in his art. They were sometimes expressed in such metaphorical compositions as thi...
This painting belongs to a cycle of approximately twenty-two pictures by Pavel Filonov known as the Chant of the Universal Blooming series. This was the artist’s vision of the restoration of harmony ...
Pavel Filonov regarded himself as a “non-Party Bolshevik” and served on the Military Revolutionary Tribunal in Bessarabia during the Russian Civil War. He was one of the first to understand the trage...
This work is regarded as an unexpected and forced exception in the art of Pavel Filonov. The portrait appears to have been a modello for a large panel decorating the facade of the Sailors Club in Len...
Pavel Filonov never experienced any qualms about simultaneously employing different styles and devices. He often combined abstraction with objectivity, intermingling artistic traditions in correspond...
In the mid-1910s and beyond, Pavel Filonov created several works in parallel to, yet cardinally different from, his Chant of the World Flowering cycle of avant-garde pictures. This image demonstrates...
The evolution of Pavel Filonov ’s perception of the world in the late 1910s and early 1920s led the artist to employ, in the majority of cases, abstract means of expression. As he explained: “Life is...